30nama
film cinema

THE ADORABLE CHEAT

starring Lila Lee and Cornelius Keefe
HARRISON'S REPORTS
April 28, 1928

A fairly good program picture. The story is not extraordinary, but fairly good handling has made it into a mildly appealing entertainment. It is the story of a wealthy girl who falls in love with a poor clerk (hero) and who eventually convinces her father that he will make a better husband than any of the wealthy young idlers, thus gaining his permission to marry him. The plot does not lack complications; before the young hero could gain the consent of the herioine's father for their marriage, the author made him go through some experiences, the outcome being that the young man had shown good character. For instance, he, while visiting the heroine at her country home, discovers her young brother opening the wall safe and taking some valuables out if it; he makes the young man put them back. The villain, a young waster, who wanted the heroine as a wife because of her money, overhears everything and, when it is found that some money was missing from the safe, leads the father to believe that it was the hero that had robbed the safe. The hero allow himself to be thought of as guilty rather than give the heroine's brother away. In the end, however, the hero's innocence is proved, and the heroines's father calls on the hero and begs his forgiveness, asking him to go to his daughter, who loved him.

The plot has been founded on a story by Arthur Hoerl; it has been directed by Burton King, from a screen play by the author himself.


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Produced by Chesterfield Pictures
Directed by Burton King
Released August 15, 1928
Cast: Lila Lee (Marian Dorsey), Cornelius Keefe (George Mason), Burr McIntosh (Cyrus Dorsey), Reginald Sheffield (Will Dorsey), Gladden James (Howard Carter), Harry Allen ('Dad' Mason), Alice Knowland (Mrs. Mason), Virginia Lee (Roberta Arnold)

Scenes from the adorable cheat

Marian Dorsey goes to work in the shipping department of her father's enamelware business when Dad expresses frustration at his lazy son's disinterest in continuing the family's pots and pans business. Without Dad's knowledge and under an assumed last name, Marian works auditing the books and soon falls in love with the young, handsome and ambitious chief shipping clerk, George Mason. A weekend party is being planned at the Dorsey home, and when a friend finds Marian at her place of work, she invites George to attend. To continue her ruse of being just a working girl and not the daughter of the wealthy Cyrus Dorsey, Marian has her friend pose as Dorsey's daughter, which allows Marian and George to attend as guests. The weekend ends up being one of mystery and misunderstandings when Carver, a friend of Marian's brother, decides to plant stolen money on George and discredit him in the eyes of Marian and her father.

Discovered by Jesse Lasky, Lila Lee made her screen debut in 1918 for Paramount Pictures. Lasky had planned to make her another Mary Pickford; however, after eight films and a loss of over million, he allowed her to be used by whatever director wanted her. (1). Her career was a scattering of first-class pictures for major studios and poverty row studio employment throughout the silent era. After Lasky gave up on her, she was cast at Tweeney, the scullery maid who is in love with Thomas Meighan's Crichton in Cecil B. DeMille's "Male and Female" (1919). She played opposite Rudolph Valentino in "Blood and Sand" (1922) and several other Paramount pictures throughout the twenties while also working for studios such as Regal, PDC, Chadwick and Chesterfield. Because she was an accomplished actress with a good voice, she moved to talkies easily and starred in eight pictures in 1929 alone. However, the stress of Hollywood took its toll on her, and she had a nervous breakdown. Married to actor/director James ******kwood (22 years her senior) since 1923, he divorced her on grounds of desertion while she was recovering in an Arizona sanitarium. Although ******kwood got custody of their son, young ******kwood, Jr., adored his mother and continued to spend as much time with her as possible up until her death in 1973. She made almost 30 pictures in the next seven years. Lee married again in 1934, a union that lasted only six months. Another marriage in the 1940's did not last long either.

Like most of the silent stars' film libraries, most of Lila Lee's output is no longer around. However, "The Adorable Cheat" is a beautiful example of the fine work of this lovely, talented actress - and, thankfully, available from Grapevine Video on DVD for the home market. It's easy to see from Lee's performance in this film why Lasky felt he could bring the same level of adoration and popularity that Pickford enjoyed to Lee. Lee's performances were never intended to mimic Pickford's. Lee is certainly more restrained in her acting, and, of course, she did not attempt the child roles as Pickford so adeptly portrayed. Lee isn't given to slapstick situations, either, such as Pickford's pots and pans routine in the department store in "My Best Girl" made the same year. Yet, the charm is there, the loveliness, the expressiveness and the talent.

There is one scene that may bring to mind the scene in Pickford's "My Best Girl" where she and Buddy Rogers are having lunch in the large shipping crate. Although not as ingenious a location nor the implication of the intimacy, Lee and her handsome co-star, Cornelius Keefe, share a lunch sitting side by side on a table in the shipping office - he eating an apple, and she eating chips from a bag. She turns to stare at him while he chomps away at the apple. When he realizes she's watching him, they both look at each other and have a good laugh. She then takes a chip from the bag and offers it to him. He declines. She insists pushing the chip closer and closer to his mouth until he finally takes it. He then pulls a sandwich from a bag, offers it to her, which, she, of course, declines. He pushes it closer and closer to her until she finally takes a bite. The two laugh over each of these instances, and the scenes work well to show us how much the two are enjoying being together at work and how their relationship is blossoming.

Perfect casting
Keefe shines in this picture, too. Coming onto the movie scene in 1924, he made 20 pictures in the next five years. Although never a major star, Keefe is somewhat reminiscent of Buddy Rogers with his boyish good looks and exuberance. He brings a sparkle to George Mason's character, and we find his continued grandiloquence about one day being made general manager by Cyrus Dorsey engaging.

Gladden James, as Howard Carver, provides a good contrast to Keefe. Not the looks of a leading man, but perfect for the "cad" part he plays in "The Adorable Cheat." He is at his nastiest and Keefe at his most sympathetic when Carver invites George's parents to the weekend party without George's knowledge. Carter's intent is to embarrass George with his humble parents who are clueless that they are being used. All of the young people there find this most amusing with several of the young girls flirting with George's father, in his own daffy way, thoroughly enjoying the attention of the young girls. Rather than respond angrily or try to avoid any connection with these two very plain people, George, instead, welcomes and embraces them. However, realizing Carver's intent, he suggests they all go home - a classy and subtle way to handle this awkward predicament. It's a heart-rending sequence in the movie that underscores our dislike for Carver and emphasizes his unscrupulous character while, at the same time, increasing our admiration for how well George responded to and handled the situation. Both Keefe and James are to be commended for fine performances. As the Variety reviewer noted, "Keefe . . . makes a good impression," and "Gladden James . . . does a cad with his accustomed finesse and nastiness." (2)

Although he doesn't occupy a lot of screen time, the blustery Burr McIntosh is a welcome, familiar face as Marian's father. McIntosh will be best remembered as Squire Bartlett in D.W. Griffith's classic "Way Down East" (1920) - cruelly sending Lillian Gish's character out into a blizzard after learning she has had a baby out of wedlock. It's a rarity to see his character smile - but his daughter, we are told, is the only one who can bring about this change in demeanor, and the interplay between the father and daughter is heart-warming.

Reginald Sheffield, as Marian's brother, Will, provides an acceptable characterization - admittedly with little depth provided for this part. He's the rebellious youth who wants no part of the boring pots and pans business - "there's no romance in that." He also gamble with his friends, losing money he doesn't have - so that's why he ends up robbing his father's safe. The spoiled, rich kid who "learns his lesson" is rather cliche; however, that's the part that has been given to Sheffield. Sheffield was active in films and TV right up until his death in 1957, with over 130 films/TV shows to his credit. His greatest claim to fame, however, is being the father of Johnny Sheffield who was "Boy" in the Johnny Weismuller Tarzan movies and later Bomba, the Jungle Boy in the 1940's.

A web of robbery, deceit and misunderstandings
The final 20 minutes of the film will keep the viewer glued to the screen as the weekend getaway turns into a web of robbery, deceit and misunderstandings. Without giving away the ending, here are a few of the reasons the viewer will be drawn into the final third of the film: Brother Will is caught robbing his own father's safe by George. Carver sees this and finds that he has access to the safe now. Carver expresses his love for Marian although she resists his overtures. In an attempt to embarrass George and discredit him in Marian's eyes, Carver brings in George's parents. George learns that the Marian "Collins" who has been his co-worker is actually Marian Dorsey, daughter of the company's owner. George feels she has deceived him as a lark, and her feelings for him were not genuine. Carver plants a stolen necklace on George, and he is then accused of robbing the safe. Even though George knows Will committed the robbery, he refuses to say anything thereby confirming his guilt to everyone - including Marian and her father.

The story - particularly for a film from a low-budget studio - is excellent. As Variety noted, "The first point of favor of 'The Adorable Cheat' is the story, well-knit and plausible." (3) Of course, one wouldn't expect this film to make anyone's top 100 list, but, nonetheless, it's good entertainment, a credit to the pen of Arthur Hoerl, who, though virtually unknown today, wrote for 150 films between the silent era and his death in1968. (4)

Well made - but on a shoestring budget
The Variety reviewer notes that the film was reportedly filmed in 10 days for around ,000 - incredible for even this period in movie-making. (5) However, don't be fooled - the look of the film belies any such parsimony. The shipping clerk's office is sparse, as it should be, but the Dorsey household is sumptuous and very appropriate to the wealth they are portrayed as having in the film. Certainly, غير مجاز مي باشدt savings are realized in this film because of the minimal sets that are required - and no outdoor filming took place, but that in no way takes away from the enjoyment as all scenes are appropriately adorned.

But back to our original praise for this film - the appearance of Lila Lee as the star. Variety said, "Lila Lee is starred, and while the 'Cuddles' kid has passed from public focus of late, she looks extremely attractive here and will be liked." (6) ("Cuddles" was the name vaudeville producer Gus Edwards gave Lila Lee when she was performing on the stage prior to her entry into the movies.) Her presence, charm, perkiness, coyness, expressive yet restrained performance, and dark beauty are a delight to watch. She and Keefe make a perfect pair, playing well off each other. The inclusion of James as the villain, the pairing of the two lovers from two different social classes (nothing original about this, but presented well here), and the very neatly written climax with misunderstandings, stolen money, deceit and stubborn pride - all provide for a great 54 minutes of entertainment.

By the way, one may assume from the length that this film may have missing scenes, but the American Film Institute Catalog lists the length as 5,000-5,400 feet - right on target for the time on Grapevine's DVD. By the way, this DVD also has another well-done original organ score by David Knudtson - adding much to the enjoyment of the film. Kudos to Grapevine.


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starring Charlie Chaplin and Edna Purviance
PHOTOPLAY
January, 1918

The season's great laugh, not quite so regular as the full moon, is amongst us again, after an eclipse since June. Mr. Chaplin, in presenting "The Adventurer" as his Mutual swan song maintains the quality of past risible events, though shading in a trifle more on the deft stuff to the diminishment of the broad. He kept within the Hooverish mandates, as well, eliminating pies and other edibles, confining himself to the extraction of all the fun he could from the human foot, kickwise expressed, with a little soda water siphoned in for lubrication.

As a convict endeavoring to escape, he spend most of his time in a dress suit, admiring the lovely Purviance, and dodging distasteful policemen. He dodges successfully, as the end escaping into the no-one-knows-where, but judging by his past experiences he is bound for more success. It's the only end anyway, for it would be most unpsychologic to leave Chaplin behind prison bars. Even he could extract no smiles from that as a permanency. But before his final dodge, he does grab off a bout a million. There are many clever stunts in the "The Adventurer" and a few very new ones, furnishing material for much smiling , if not for sideshaking laughter.

Mr. Chaplin's Mutual career has been a satisfying one. He has given the company a row of excellent comedies of his own peculiar vintage, which must needs be valuable for several years. Considering that he did as well by Essanay, it is a safe gamble that his next affiliation will be similarly productive of excellence. He is an artist as well as a player of motley. Also he is a ­ good business man.


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starring Wallace Reid, Gloria Swanson, Wanda Hawley, Theodore Roberts, Agnes Ayres, Monte Blue and Bebe Daniels
MOTION PICTURE CLASSIC
September, 1921

Nothing left of Schnitzler but the title. The subtle craftsmanship, the sentimental melancholy and the humorous cynicism have given place to crudity and even clumsy vulgarity. We look upon "The Affairs of Anatol" as the worst massacre since Custer's forces were wiped out by the redskins. The silken DeMille is certainly running riot.

THE AFFAIRS OF ANATOL
starring Wallace Reid, Gloria Swanson, Wanda Hawley, Theodore Roberts, Agnes Ayres, Monte Blue and Bebe Daniels
THE NEW YORK TIMES
September 12, 1921

Cecil Be DeMille's long and widely heralded screen version of "The Affairs of Anatol" came to town in duplicate yesterday, one print going into the Rivoli and the other into the Rialto for at least a week at each theatre.

Here is Mr. DeMille at his best. Whether you will like it is another matter. If you like a glorified movie that you can take as a movie and are not asked to take as a genuinely human photoplay, you will probably be among the large number who will find enjoyment in Anatol and his innocent escapades. Mr. DeMille, it appears, must be ornate and artificial, theatrical at all times, and his style is not suited, therefore, to stories of real people and serious import. For this reason, the matrimonial homilies, which he delivered for viewing and which simply would not let themselves be taken lightly, were false and tiresome -- except to those who like moralizing guaranteed to produce no moral effect upon them.

But the case of the present offering is different. Here is an extravagant story that never by any chance could be taken seriously, ornamented by elaborate and expensive sets, and such an assemblage of screen favorites as has never before been brought together in one picture for the worship of idolatrous fans. And, incidentally, any number of the screen's best pantomimists are among them. So it's a magnificant puppet show, legitimately and logically excessive in every way. For once Mr. DeMille's theatricalities are in harmony with his subject. He is free, for example, to indulge his love of trick furniture and bizarre غير مجاز مي باشدtumes to his heart's content without giving offense. They're all part of the show.

Doubtless there will be those who will say that the picture could have been something more than just a show. They will point out that it really becomes most enjoyable when it runs most freely in the spirit of banter and satire and they will insist that, if it had been treated throughout with that light and subtle incisiveness that makes the whole world grin at itself, it would have been a work of exceptional value, but that, with its somewhat labored movement and general burden of Hollywood's celluloid morality, it lacks the sparkle of a cynical levity, which, obviously, it might have had.

True, true, but it is as it is, and, despite what it might have been, it may so easily be taken as a movie show deluxe that one is inclined to accept it as that and not find fault. And it has its really worthwhile moments, too, remember. Wallace Reid, as Anatol, farces some of his scenes delightfully,. Theodore Roberts makes the old rounder he impersonates a joy, and Agnes Ayres almost succeeds in creating a character. Gloria Swanson is decorative, Wanda Hawley is fascinating, and Bebe Daniels does one of the best mock-vampire acts. It's a pity hat these three ever became stars. They are so good in parts which do not make it necessary for them to assume the play-it-as-I attitude.

Also in the cast, and pleasantly present, are Elliott Dexter, Raymond Hatton, Monte Blue, Charles Ogle and a number of others well known on the screen,. Theodore غير مجاز مي باشدloff, one of the best pantomimist of them all, has only a bit. It is done in finished style. There ought to be more of it.

The producton, it may be said even by one who did not see the Schnitzler-Barker original, is only a distant and thoroughly acclimated cousin of the continental work that flourished on the stage some seasons ago. In the first place, according to all reports, Schnitzler's play was not something the censors would have approved of. It doesn't seem likely that they will find much fault with the picture, however. On the screen Anatol is an exceedingly nice young man whose affairs are all entirely innocent. If the girls who, one after another, arouse his purely philanthropic interest are not so innocent, they are still not so very, very bad, and promise to be good before they are dismissed from the story. The picture, in fact, bears a closer resemblance to "My Lady Friends," which many no doubt will remember than to the freely continental farce "Anatol" is reported to have been. And, it should be added, although it uses the original name, it does not claim to be a faithful translation. "Suggested by" is the term used on the program, and the authorship of the screen version is ascribed to Jeanie Macpherson.

Also at the Rivoli and Rialto, and adding merriment to their programs, is the latest Sarg-Dawley Shadowgraph, "Fireman Save My Child."


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starring Douglas Fairbanks and Alma Reubens
MOTION PICTURE MAGAZINE
March, 1917

The fact that Douglas Fairbanks is the star of this is sufficient proof that it's good. As the extremely susceptible, quick-tempered son of the Stars and Stripes in Mexico, "Electricity Doug" does the best work of his picture career. It is mad, merry scramble of lovely senoritas, tempest-in-tea-pot revolutions, kidnapped Presidentes, and a strong, husky son of the U.S.A. to wave the Stars and Stripes as the curtain goes down on the last and happy finale. Alma Reubens is a lovely and extremely capable "opposite" to Mr. Fairbanks.


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Starring Pauline Garon and Harrison Ford
HARRISON'S REPORTS
April 5, 1924

"The Average Woman" is just an average society drama; the principal players are satisfactory, and there are some comic situations introduced here and there. But the material is insufficient for the footage allotted to it, which means inevitably that the interest is alternately held and lost: --

A young newspaperman (hero) is asked to write an article on "The Average Woman." In search of material, he goes to the Public Library, where he encounters the flapperish young daughter (heroine) of a well-known judge. With certain preconceived notions about his subject, he decides to use this girl as his lierary model. When she leaves the library, he follows her. Thus the business-begun pursuit of the heroine terminates in a romance between the two.

Acceptable in houses which change bill frequently.


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The Big Bang Theory

لينك IMDb

ژانر : كمدي

كيفيت: ۴۸۰p – 720p

فرمت: MKV

حجم: ميانگين هر قسمت ۱۰۰ . ۱۵۰ مگايايت

تاريخ انتشار : ۲۰۰۷

محصول: آمريكا

امتياز: ۸٫۶/۱۰

زبان: انگليسي

كانال پخش كننده : CBS آمريكا

خلاصه داستان: سريال نظريه بيگ بنگ درباره چهار جوان نخبه فيزيك است كه در دانشگاهي مشغول به كار هستند . اين چهار جوان هر كدام داراي شخصيت هاي مختلفي هستند . تمام زندگي اين چهار نفر در تكنولوژي و اختراع دستگاههاي عجيب غريب ، فيلم هاي علمي تخيلي ، كتابهاي كميك و بازيهاي كامپيوتري خلاصه ميشود . با وجود اينكه اين چهار نفر ادعا مي كنند چيزي در دنيا نيست كه از آن بي اطلاع باشند در واقع از بخش مهمي از زندگي يعني روابط اجتماعي هيچ چيزي نمي دانند . اما اين روش زندگي با همسايه شدن دختري جذاب و پر انرژي به نام پني تغييراته اساسي مي كند …

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دانلود قسمت ۱۶

دانلود قسمت ۱۷

دانلود قسمت ۱۸

دانلود قسمت ۱۹

دانلود قسمت ۲۰

دانلود قسمت ۲۱

دانلود قسمت ۲۲

دانلود قسمت ۲۳

دانلود قسمت ۲۴

SEASON 07

دانلود قسمت ۰۱

دانلود قسمت ۰۲

دانلود قسمت ۰۳

دانلود قسمت ۰۴

دانلود قسمت ۰۵

دانلود قسمت ۰۶

دانلود قسمت ۰۷

دانلود قسمت ۰۸

دانلود قسمت ۰۹

دانلود قسمت ۱۰

دانلود قسمت ۱۱

دانلود قسمت ۱۲

دانلود قسمت ۱۳

دانلود قسمت ۱۴

دانلود قسمت ۱۵

دانلود قسمت ۱۶

دانلود قسمت ۱۷

دانلود قسمت ۱۸

دانلود قسمت ۱۹

دانلود قسمت ۲۰

دانلود قسمت ۲۱

دانلود قسمت ۲۲

دانلود قسمت ۲۳

دانلود قسمت ۲۴

SEASON 08

دانلود قسمت ۰۱ – ۴۸۰p

دانلود قسمت ۰۱ – ۷۲۰p

دانلود قسمت ۰۲ – ۴۸۰p

دانلود قسمت ۰۲ – ۷۲۰p

دانلود قسمت ۰۳ – ۴۸۰p

دانلود قسمت ۰۳ – ۷۲۰p

دانلود قسمت ۰۴ – ۴۸۰p

دانلود قسمت ۰۴ – ۷۲۰p

دانلود قسمت ۰۵ – ۴۸۰p

دانلود قسمت ۰۵ – ۷۲۰p

دانلود قسمت ۰۶ – ۴۸۰p

دانلود قسمت ۰۶ – ۷۲۰p

دانلود قسمت ۰۷ – ۴۸۰p

دانلود قسمت ۰۷ – ۷۲۰p

دانلود قسمت ۰۸ – ۴۸۰p

دانلود قسمت ۰۸ – ۷۲۰p

دانلود قسمت ۰۹ – ۴۸۰p

دانلود قسمت ۰۹ – ۷۲۰p

دانلود قسمت ۱۰ – ۴۸۰p

دانلود قسمت ۱۰ – ۷۲۰p

دانلود قسمت ۱۱ – ۴۸۰p

دانلود قسمت ۱۱ – ۷۲۰p

دانلود قسمت ۱۲ – ۴۸۰p

دانلود قسمت ۱۲ – ۷۲۰p

دانلود قسمت ۱۳ – ۴۸۰p

دانلود قسمت ۱۳ – ۷۲۰p

دانلود قسمت ۱۴ – ۴۸۰p

دانلود قسمت ۱۴ – ۷۲۰p

دانلود قسمت ۱۵ – ۴۸۰p

دانلود قسمت ۱۵ – ۷۲۰p

دانلود قسمت ۱۶ – ۴۸۰p

دانلود قسمت ۱۶ – ۷۲۰p

دانلود قسمت ۱۷ – ۴۸۰p

دانلود قسمت ۱۷ – ۷۲۰p

دانلود قسمت ۱۸ – ۴۸۰p

دانلود قسمت ۱۸ – ۷۲۰p

دانلود قسمت ۱۹ – ۴۸۰p

دانلود قسمت ۱۹ – ۷۲۰p

دانلود قسمت ۲۰ – ۴۸۰p

دانلود قسمت ۲۰ – ۷۲۰p

دانلود قسمت ۲۱ – ۴۸۰p

دانلود قسمت ۲۱ – ۷۲۰p

دانلود قسمت ۲۲ – ۴۸۰p

دانلود قسمت ۲۲ – ۷۲۰p

دانلود قسمت ۲۳ – ۴۸۰p

دانلود قسمت ۲۳ – ۷۲۰p

دانلود قسمت ۲۴ – ۴۸۰p

دانلود قسمت ۲۴ – ۷۲۰p

SEASON 09

دانلود قسمت ۰۱ – ۴۸۰p

دانلود قسمت ۰۱ – ۷۲۰p

دانلود قسمت ۰۲ – ۴۸۰p

دانلود قسمت ۰۲ – ۷۲۰p

دانلود قسمت ۰۳ – ۴۸۰p

دانلود قسمت ۰۳ – ۷۲۰p

دانلود قسمت ۰۴ – ۴۸۰p

دانلود قسمت ۰۴ – ۷۲۰p

دانلود قسمت ۰۵ – ۴۸۰p

دانلود قسمت ۰۵ – ۷۲۰p

دانلود قسمت ۰۶ – ۴۸۰p

دانلود قسمت ۰۶ – ۷۲۰p

دانلود قسمت ۰۷ – ۴۸۰p

دانلود قسمت ۰۷ – ۷۲۰p

دانلود قسمت ۰۸ – ۴۸۰p

دانلود قسمت ۰۸ – ۷۲۰p

دانلود قسمت ۰۹ – ۴۸۰p

دانلود قسمت ۰۹ – ۷۲۰p

دانلود قسمت ۱۰ – ۴۸۰p

دانلود قسمت ۱۰ – ۷۲۰p

دانلود قسمت ۱۱ – ۴۸۰p

دانلود قسمت ۱۱ – ۷۲۰p

دانلود قسمت ۱۲ – ۴۸۰p

دانلود قسمت ۱۲ – ۷۲۰p

دانلود قسمت ۱۳ – ۴۸۰p

دانلود قسمت ۱۳ – ۷۲۰p

دانلود قسمت ۱۴ – ۴۸۰p

دانلود قسمت ۱۴ – ۷۲۰p

دانلود قسمت ۱۵ – ۴۸۰p

دانلود قسمت ۱۵ – ۷۲۰p

دانلود قسمت ۱۶ – ۴۸۰p

دانلود قسمت ۱۶ – ۷۲۰p

دانلود قسمت ۱۷ – ۴۸۰p

دانلود قسمت ۱۷ – ۷۲۰p

دانلود قسمت ۱۸ – ۴۸۰p

دانلود قسمت ۱۸ – ۷۲۰p

دانلود قسمت ۱۹ – ۴۸۰p

دانلود قسمت ۱۹ – ۷۲۰p

دانلود قسمت ۲۰ – ۴۸۰p

دانلود قسمت ۲۰ – ۷۲۰p

دانلود قسمت ۲۱ – ۴۸۰p

دانلود قسمت ۲۱ – ۷۲۰p

دانلود قسمت ۲۲ – ۴۸۰p

دانلود قسمت ۲۲ – ۷۲۰p

ادامه مطلب

امتیاز:
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برچسب: ،
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[ ۱۰ ارديبهشت ۱۳۹۸ ] [ ۱۲:۰۹:۲۷ ] [ masoumi5631 ] [ نظرات (0) ]

The Conners

لينك IMDB

ژانر : كمدي

كيفيت: ۴۸۰p – 720p – 1080p

فرمت: MKV

حجم: ميانگين هر قسمت ۱۵۰ . ۳۰۰ مگابايت

تاريخ انتشار : ۲۰۱۸

محصول: آمريكا

امتياز : ۴٫۳/۱۰

زبان: انگليسي

كانال پخش كننده : ABC آمريكا

خلاصه داستان : داستان سريال بعد از مرگ مادر خانواده اي ، افراد خانواده دچار مشكلاتي مي شوند و…

SEASON 01

دانلود قسمت ۰۱ : ۴۸۰p | 720p x265 | HDTV x264 | ۱۰۸۰p x265

دانلود قسمت ۰۲ : ۴۸۰p | 720p x265 | HDTV x264 | ۱۰۸۰p x265

دانلود قسمت ۰۳ : ۴۸۰p | 720p x265 | HDTV x264 | ۱۰۸۰p x265

دانلود قسمت ۰۴ : ۴۸۰p | 720p x265 | HDTV x264 | ۱۰۸۰p x265

دانلود قسمت ۰۵ : ۴۸۰p | 720p x265 | HDTV x264 | ۱۰۸۰p x265

 


ادامه مطلب
امتیاز:
بازدید:
برچسب: ،
موضوع:
[ ۱۰ ارديبهشت ۱۳۹۸ ] [ ۱۲:۰۷:۳۱ ] [ masoumi5631 ] [ نظرات (0) ]

The Cool Kids

لينك IMDB

ژانر : كمدي

كيفيت: ۴۸۰p – 720p – 1080p

فرمت: MKV

حجم: ميانگين هر قسمت ۱۵۰ . ۳۰۰ مگابايت

تاريخ انتشار : ۲۰۱۸

محصول: آمريكا

امتياز : ۶٫۸/۱۰

زبان: انگليسي

كانال پخش كننده : FOX آمريكا

خلاصه داستان :  داستان اين سريال كمدي درباره ۳ دوست است كه در حال گذراندن اوقات پيري در خانه سالمندان هستند تا زماني كه يك تازه وارد به آنها اضافه ميشود و …

SEASON 01

دانلود قسمت ۰۱ : ۴۸۰p | 720p x265 | HDTV x264 | ۱۰۸۰p x265

دانلود قسمت ۰۲ : ۴۸۰p | 720p x265 | HDTV x264 | ۱۰۸۰p x265

دانلود قسمت ۰۳ : ۴۸۰p | 720p x265 | HDTV x264 | ۱۰۸۰p x265

دانلود قسمت ۰۴ : ۴۸۰p | 720p x265 | HDTV x264 | ۱۰۸۰p x265

دانلود قسمت ۰۵ : ۴۸۰p | 720p x265 | HDTV x264 | ۱۰۸۰p x265

دانلود قسمت ۰۶ : ۴۸۰p | 720p x265 | HDTV x264 | ۱۰۸۰p x265

دانلود قسمت ۰۷ : ۴۸۰p | 720p x265 | HDTV x264 | ۱۰۸۰p x265

 


ادامه مطلب
امتیاز:
بازدید:
برچسب: ،
موضوع:
[ ۱۰ ارديبهشت ۱۳۹۸ ] [ ۱۲:۰۶:۴۱ ] [ masoumi5631 ] [ نظرات (0) ]

"silent stars"

Ben Alexander
May Allison
Vilma Banky and Rod La Rocque
Theda Bara
Bara, Arbuckle, Walsh-Cooper, Schenck-Talmadge
Bessie Barriscale
John Barrymore
Lionel Barrymore
Richard Barthelmess
Warner Baxter and Winifred Bryson
Wallace Beery
Madge Bellamy
Enid Bennett and Fred Niblo
Monte Blue
John Bowers
William Boyd and Dorothy Sebastian
Alice Brady
Gladys Brockwell
Alice Calhoun
Helene Chadwick
Lon Chaney
Charlie Chaplin
Sydney Chaplin
Ethel Clayton
Lew Cody
Betty Compson
Jackie Coogan
Joan Crawford
Viola Dana
Bebe Daniels
Roy D'Arcy
Marion Davies
Priscilla Dean and Wheeler Oakman
Dolores Del Rio
Cecil B. DeMille
William Desmond
Eliott Dexter
Julian Eltinge
Douglas Fairbanks
Douglas Fairbanks and Mary Pickford
Dustin Farnum
William Farnum
Louise Fazenda
Maurice "Lefty" Flynn
Pauline Frederick
NEW!! Janet Gaynor
Hoot Gibson
John Gilbert
Gilda Gray
Corinne Griffith
Lars Hanson
William S. Hart
Sessue Hayakawa
Jack Holt
Ralph Ince
Thomas Ince
Buster Keaton
Doris Kenyon
J. Warren Kerrigan
Norman Kerry
Kathleen Key
James ******kwood and Lila Lee
Carl Laemmle
Barbara LaMarr
George Larkin
Jesse Lasky
Gwen Lee
Harold Lloyd and Mildred Davis
Jacqueline Logan
Mary MacLaren
Douglas MacLean
Tully Marshall and Marion Fairfax
May McAvoy
Tim McCoy
Patsy Ruth Miller
Tom Mix
Colleen Moore
Antonio Moreno
Jack Mulhall
Mae Murray
Conrad Nagel
Alla Nazimova
Pola Negri
Fred Niblo and Enid Bennett
Olga Petrova
Dorothy Phillips
Jack Pickford
Marie Prevost and Kenneth Harlan
Aileen Pringle
Charles Ray
Wallace Reid
Irene Rich
Theodore Roberts
Will Rogers
Larry Semon
Milton Sills
Anita Stewart
Gloria Swanson - country home
Gloria Swanson - Beverly Hills home
Blanche Sweet
Blanche Sweet and Marshall Neilan
Constance Talmadge
Norma Talmadge
Norma Talmadge and Joseph Schenck
Estelle Taylor and Jack Dempsey
Conway Tearle
Fred Thomson
Ernest Torrence
Ben Turpin
Rudolph Valentino
Florence Vidor
King Vidor
Robert G. Vignola
Erich von Stroheim
Fannie Ward
Bryant Washburn
Kathlyn Williams
Lois Wilson


ادامه مطلب
امتیاز:
بازدید:
برچسب: ،
موضوع:
[ ۱۰ ارديبهشت ۱۳۹۸ ] [ ۱۱:۵۷:۵۴ ] [ masoumi5631 ] [ نظرات (0) ]
[ ۱ ][ ۲ ][ ۳ ][ ۴ ][ ۵ ][ ۶ ][ ۷ ][ ۸ ][ ۹ ][ ۱۰ ][ ۱۱ ][ ۱۲ ][ ۱۳ ][ ۱۴ ][ ۱۵ ]
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درباره وبلاگ

نويسندگان
نظرسنجی
لینک های تبادلی
فاقد لینک
تبادل لینک اتوماتیک
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خبرنامه
عضویت لغو عضویت
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